One of the New Year bonuses for us has been the multitude of “best of 2017” reviews where our third album, “Bombs Away”, featured highly. Completely at random, we had the No.15 spot in Vive Le Rock’s albums of the year (total bollocks, of course: we should have been No.1 🙂 ) and even as far as New Zealand that man of taste and distinction, Steve Scanner, had us as one of his highlights (See here).
The majority of retrospectives have picked highlight tracks as “The Man on the Desk” (which I wrote about here) and “I Can Fly”, neither of which we currently play live. So: February will see us in the rehearsal studio trying both out to see if we can bring them into the set.
But in the meantime there lies a spot in France on the border with Spain at the western end of the Mediterranean, where the Pyrenean mountains tumble into the sea. There’s a Spanish flavour to the area. In the local markets you’ll find paella vans plying a brisk trade, selling take away tubs of that rich mixture of rice, saffron, chicken, seafood and chorizo. The restaurants specialise in fish grilled “a la plancha”, palm trees abound in the capital Perpignan, and the locals keep their superb wines to themselves: both sweet and dry muscats, and rich, smooth reds which are better than most wines from more famous regions.
In a place I call the garage (because it looks like one) you can take your own bottle and they’ll fill it up from a pump for three euros a litre. The same wine, if you buy it in a bottle on a supermarket shelf, will be in the expensive section for 15 euros.
The odd graffiti you come across will declare, if you can decipher the language, “We are not French, We are not Spanish, We are Catalan”. Rugby is big in the area (both Union and League) and attending a match at Perpignan (or USAP as it’s known)’s Stade Aime Giral is like being at an international. It’s “Us against the French”. They even sing the Catalan national anthem.
As you might guess by now, I go there often. As often as I can in fact. And not just physically. If I’m having a tough day, if some cad has said something nasty to poor, little sensitive me, if it’s raining and howling outside, if Nottingham Forest have once more lived down to expectations, if Rebellion have ignored my emails , if I have this damn Australian flu that’s doing the rounds and can’t think, if …………….. (you get the picture) off I fly in my mind to the land where the Tramontane blows, where the beaches merge into the horizon to the north and mountains to the south, where the colours are blood and gold, where the exiled Picasso paid for his supper by sketching on the back of cheques so that restauranteurs wouldn’t cash them, and where the days merge into a slow reverie of sun, wine and the rosemary tinged scent of the garrigue.
And so I must thank Anna Donarsky, first guitarist in the Big Heads, and now guitar tech to Ron Woods, Pete Townsend and other sundry superstars, for giving me the musical inspiration for my love song to the “Pays Catalan”. Anna provided a gorgeous, haunting bridge and chorus to which I added intro, verse, instrumental passage and, of course, lyrics.
If you have Spotify you can hear “I Can Fly” here:
Otherwise you can hear it for free on our Bandcamp site (here) where you’ll also find the lyrics.
3 thoughts on “The Story Behind the Song Part 4: I Can Fly”
Excelente canción como toda tu obra musical , con mucha sensibilidad. Me alegro que encuentres nuevos lugares donde ser felíz. Un abrazo
Gracias Fernanda. In abrazo a tu tambien
Gracias Fernanda 🙂