So, if you sign up to Songkick and track us you’ll be told first if we are playing near you and can see everywhere we are playing.
Just follow the link HERE
We’ve got a lot (oops I’ve done it again twice!) of new shirts with our glorious mugs on and bags to go out with.
Available from our Bandcamp shop here but far better, if you buy direct by sending an email to email@example.com, you’ll save the cost of post.
Let’s face it. Mainstream radio is rubbish, isn’t it? Commercial radio is like an iPod on shuffle, but with only 10 songs of the same genre interspersed with ads. There are public broadcasters who are a little more interesting, certainly with the odd entertaining DJ, but they are still scared of not being “down with the kids” or of only playing well-known oldies.
The situation is saved, though, by a host of largely unpaid heroes on the internet. This is by no means an exhaustive list but those heroes include:
Keith Newman, Punky Paul and Lisa Etherton – two smutty, 50-year-old teenagers and a sex therapist, masquerading as “New Wave with Newman” on Radio Northumberland.
Diego RJ, or El Sotano who has a national, drive time FM show in Spain playing punk, power pop and garage.
Stephen Doyle on Salford City Radio, Gary Crowley on BBC Radio London and Soho Radio, Paula Frost at Way Out Radio, Mike Rogers with his Tokyo breakfast show on acid, Dave Renegade, Danny Mac, The Alternative Aycliffe Punk Radio Show ………… the list goes on and I apologise if I’ve left you off, there are so many of you. All of these presenters have a passion for music and a particular taste which makes the listener feel they are listening to a curator who loves what they play, rather than an ego with a playlist. They are, however, islands on their particular stations, isolated hours on say a Monday evening or a Tuesday afternoon.
But in Jersey City there is a whole FM radio station, funded by its listeners so it has no ads and therefore no pressure to deliver particular listener demographics and where the DJs just play whatever they like. WFMU can be heard across the whole of New York, a large part of New Jersey and online here.
And what a weird mixture it is. A bit like having a whole station of John Peels. And, like that long missed purveyor of the obscure, parts of it are unlistenable. But much of it is exciting especially if, like me, you seek good new music.
It was the saturday afternoon presenter Todd-o-phonic Todd who made our recent shows on the East Coast possible and we played a set on Evan “Funk” Davies’ Wednesday evening show. Both of these fellas have impeccable taste and are afficianados of glam, punk, garage and power pop.
Underneath the station they have a fine venue, Monty Hall, which, like the radio station, is staffed by volunteers. It has no liquor licence so people bring their own beer and as part of the service they film the whole show, edit and mix it to a professional standard and give a copy to the band. That is worth thousands of dollars to those who play there.
Here’s a couple of excerpts from our show:
So, long may WFMU continue, a bastion of the weird and individual in this increasingly uniform and corporate media world.
PS: There is a footnote to our show at Monty Hall.
The traffic from Manhatten to Jersey City is horrific. About 10 roads converge into 2 lanes as you approach the Holland Tunnel to pass under the Hudson to New Jersey in a frustrating and nervewracking crawl, hoping against hope that you’ll move forward more in the next hour than the 400 metres you managed in the last. Cops with improbably large backsides lurk as you approach junctions, happily awarding you a $100 dollar fine if you get caught inadvertently blocking the route of cars approaching in another direction. If you need to be in Jersey City at 7pm it makes sense to go there at 3pm when the traffic isn’t quite so voluminous.
So Sophie, myself and Camille Phillips (stepping in for Karen Jones who couldn’t make the trip) arrived in Jersey City at 4pm with a few hours to spare and headed for a local bar.
Without realising the effect we would have, we entered the establishment in V formation. Myself at the apex: purple/pink suit, red shoes, floral shirt. I was flanked by Sophie to my left: leather jacket, T shirt, long black hair, hot pants, black tights and Doc Martens, and to my right, Camille: leather jacket, tatoos, boots and chains.The bar fell silent. The security fellas checked the bulges in their inside, jacket pockets. From the party of older ladies having a birthday celebration in the corner we heard:
We chose a table and sat down. A very kind waitress brought over some water and placed a glass in front of Camille. As a joke I said: “She’s not allowed that!”.
“I’m so sorry, I’m really, really sorry”, said the waitress,”I promise I won’t do it again”, quickly removing the offending item. “What is she allowed to have?”, “Scotch”, I said which arrived in approximately 30 seconds flat.
So, moral of the story: if you are a shortass wimp in New Jersey and want the respect of security guards, to strike fear into the hearts of matrons and lightening quick service from terrified waitresses, dress up in pink and get yourself a posse of striking looking women.
Works every time.
Last week we played Bristol, Boardmasters Festival (to huge acclaim I must add) and Abertillery in the beautiful valleys of Wales. A fella called John Lovell was in Bristol and Wales. We had a chat at both shows and afterwards he sent me this review. “Please rewrite it”, he said, “and don’t mention my name”. Clearly a man of great confidence.
In fact, I enjoyed the piece which evoked the evening so much I didn’t change a word. And, as for not mentioning his name, …………. Ooops!
Here it is:
A Lunchtime Superstar and his Big Heads…
Without being labelled a stalker this was the second time I’d seen Duncan Reid and the Bigheads over the August weekend.
First being at the Louisiana in Bristol on Thursday.
There was a third gig at the huge Boardmasters festival in Cornwall but I gave this a miss (the thought of mixing with 50,000 unkempt surfers and teenagers!).
I’d seen this line up of Duncan Reid, Nick Hughes, Karen Jones and Sophie K Powers a few times over the past year and they are by far the best.
I knew the band were playing Bristol from their Facebook page but didn’t know about Abertilly (as the non Welsh speaking pronounce it) till after reading an article in the South Wales Argus by Leah Powell.
Abertillery met me with a greeting of typical Welsh sunshine. It was pouring down!
I eventually found The Dolls House via the satnav and surprised myself by the location and surroundings.
Houses and mountains. Loads and loads of big Welsh wet mountains with lashings of rain.
Third gig for the band and a very different view.
Bristol with all the shops and road works and, I expect, Boardmasters with sunshine and blue sea.
Paid a few quid to a guy on the door and got a nice black stamp on the back of my hand. No ticket stub to add to my memorabilia.
The venue was downstairs, a compact area with a small stage, bar, dance floor, tables and chairs at the back which the bands used as a set up for their merchandise.
Met and had time to chat to Duncan who always finds time to talk. Usually the chat is after the gig.
The first of the two support acts went on and one song didn’t half sound like Honest John Plain’s “New Guitar “…
When they completed their set, Duncan chatted about songs he had written for his forthcoming fourth Big Head record.
The second support act (Plague UK) played and that’s when it struck me that The Bigheads wouldn’t be on till way past 10pm.
I’d put some pics on facebook from Bristol with the title “First Time I’d seen Duncan Reid and the Bigheads sober”: very ambiguous.
This time we all were sober (all driving home after), and first time I’d had free drinks in a pub even if it was only soda water.
The band opened with “Can’t Stop”, straight into “Montevideo”, “Soda Pressing” and “C’est La Vie”.
Then came “Baby Doll”, ”Let’s Skip to the Good Bit”, “Thinking” and “Just Because You’re Paranoid”.. but for the love of me can’t remember the banter during the pause in “Thinking”..
They were speeding through them and it wouldn’t have been believed that they had previously played the West of England and traveled hundreds of miles.
“Rolling On” was next and there was some banter which included new lyrics featuring tequila and almost a version of rawhide!
It was hot, humid and sweaty. Duncan took his jacket off and chatted about the travels of the Welsh flag seen at many a gig.
He was going to speak some Welsh taught to him by Sophie, the non-rude translation being “I love to eat cornish cheese bell quays”. The literal translation is not fit for a family publication!
An introduction of the band members followed and somehow they all became Jones or Evans: quite apt for Abertillery.
The venue like many others is under threat from residents which seems a little unfair as the wedding party from upstairs joined in, but to the disappointment of the band, failed to bring down any food.
Looking round there were wedding guests dancing in the hall and children’s faces pressed against the doors’ glass windows.
People started to drift in after hearing the music blasting onto the street.
Not sure but maybe those living nearby opened their windows. Rain or no rain, I would have. Maybe the Bigheads saved the Doll?
“Rolling on” was followed by “Bombs Away” which saw Duncan throw in some well-rehearsed choreography moves pointing to each guitar player.
Some more “Boys” tunes followed in “Brickfield” and “First Time” which got the crowd singing and jumping, and “Terminal love”, the Old Grey Whistle Test guitar version, my favourite.
Duncan joined the crowd during “First Time” doing well to avoid the water on the floor from the air conditioning unit above the front of the stage.
After a few more it was into the encore: “That’s the Way it is”, “Shortest Song in the World” (three times), “One Night in Rio” and “Sick on You”.
One of the best performances from the band I have seen and, looking at their smiles and the body language between them all, they did as well.
At the end they looked exhausted. I took about five photos of the evening: unknown for me to take so few, and the reason why? It’s hard to snap when you’re singing and jumping.
I know they went down well with a good Welsh crowd from seeing the people round the merchandise table at the end of the gig.
They liked The Kid and hope he comes back with his Big Heads sometime in the future, and there is a future for The Dolls House.
So, a fourth album in the pipeline, the songs are gonna have to be belters to get any chance featuring in any future Big Heads sets..
Sorry Duncan you’re going to have to play the set faster or longer 😉
We have just a handful of the following shirts left so we are giving them away for the price of the post (which is about £2).
If you would like one please email firstname.lastname@example.org with the model and size you would like and your address. We’ll give you the amount of post to pay by PayPal and send it to you. Simple as that! There aren’t many though so get in quick.
Here they are:
2. Black “Thinking”: Sizes available: Small and Ladies Large (Ladies Large now SOLD OUT)
3. Black “Action”: Sizes available: Ladies Medium and Small
4. Purple “Action”: sizes available: Small. (All gone)
5. Black Guitar control: Size available: Small (Now SOLD OUT)